I'm having fun with what I'm doing but I'd never categorically say no to something because it's not horror. I'm keeping an open mind.

Because of the way we let the actors improvise, it feels like you're watching people react rather than actors reading lines - so I think that's always going to be something I like.

In many places around the world, all over the U.S. and Europe there are active nuclear power plants. And for many years during the Cold War the threat of nuclear war was a permanent fear. There's always the concern that human kind is biting off more than they can chew in harnessing nuclear power.

In many cases your imagination is much more effective than what can be shown. It primes you to know something is about to happen - the anticipation and anxiety is worse than what ends up happening.

I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.

Really it's always things that scare me like loss of control, dealing with the unknown and the unseen... Something that's not supposed to be there and you don't know where it came from, or what it wants from you, or how to defend yourself against it. That's the root of the things I find scary.