And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.

She worked her toes into the sand, feeling the tiny delicious pain of the friction of tiny chips of silicon against the tender flesh between her toes. That's life. It hurts, it's dirty, and it feels very, very good.

There was no doubt now in Ender's mind. There was no help for him. Whatever he faced, now and forever, no one would save him from it. Peter might be scum, but Peter had been right, always right; the power to cause pain is the only power that matters, the power to kill and destroy, because if you can't kill then you are always subject to those who can, and nothing and no one will ever save you.

Death is not a tragedy to the one who dies; to have wasted the life before that death, that is the tragedy.

And what? What's the other choice? To passively let things happen and then say: "Tut-tut, what at botch that was"? Don't we all manipulate people? Even if we openly ask them to make a choice, don't we try to frame it so they'll chose as we think they should?

Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don't see any.

This is what historians usually do, quibble about cause and effect when the point is, there are times when the world is in flux and the right voice in the right place can move the world. Thomas Paine and Ben Franklin, for instance. Bismark. Lenin.