I would always find a way to blow the deal and I'm not sure why. I think there was part of me that wasn't comfortable with monetizing the music and getting involved with royalties and all that kind of stuff.

A movie set is like a petri dish for neuroses, you know? It's just, like, egos and weird personalities and, more than anything, fear.

The hardest things to do in any art is to risk failure and put yourself out on the line.

I get attached to things: I wear the same jeans for a year.

I've written a lot of music, so to be able to put that together and play some shows around the country and elsewhere - that would really be a fun thing to do.

What's most interesting about trying to figure out AI is the questions that it forces you to ask about the nature of consciousness.

There's a reason why actors are always dying to work with the Coens. They just set the stage for you to do their best work.