What's most interesting about trying to figure out AI is the questions that it forces you to ask about the nature of consciousness.

A movie set is like a petri dish for neuroses, you know? It's just, like, egos and weird personalities and, more than anything, fear.

I would always find a way to blow the deal and I'm not sure why. I think there was part of me that wasn't comfortable with monetizing the music and getting involved with royalties and all that kind of stuff.

When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.

Early on - certainly in acting - you really have to take whatever you can get. So I understand well how difficult it can be to be in this position where people are just not hearing what you're trying to say or are saying. I recognize that.

There's very few people - like Shakespeare - who, no matter what, were gonna do what they did. For the rest of us, there's a lot of events that have to happen in order for things to end up the way they are.

I've written a lot of music, so to be able to put that together and play some shows around the country and elsewhere - that would really be a fun thing to do.