I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.

When you have a large space to conquer, the curve is the natural solution.

Architecture does not change anything. It's always on the side of the wealthy. The important thing is to believe that it can make life better.

Right angles don't attract me. Nor straight, hard and inflexible lines created by man.

Of course, I have given my engineers some headaches over the years, but they go with me. I have always wanted my buildings to be as light as possible, to touch the ground gently, to swoop and soar, and to surprise.

Surprise is key in all art.

The rule is the worst thing. You just want to break it.