Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.

But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face.

I must say to myself that I ruined myself, and that nobody great or small can be ruined except by his own hand. I am quite ready to say so. ... Terrible as was what the world did to me, what I did to myself was far more terrible still.

When I went to America I had two secretaries, one for autographs, one for locks of hair. Within six months the one had died of writer's cramp, the other was completely bald.

We think that we are generous because we credit our neighbor with those virtues that are likely to benefit ourselves. We praise the banker that we may overdraw our account, and find good qualities in the highwayman in the hope that he may spare our pockets.

My life-my whole life- take it, and do with it what you will. I love you-love you as I have never loved any living thing. From the moment I met you I loved you, loved you blindly, adoringly,madly! You didn't know it then-you know it now.

It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."