In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.

Tension without cosmic pulsation to animate it is the transition to nothingness

At last, in the gray dawn of Civilization the fire in the Soul dies down. The dwindling powers rise to one more, half-successful, effort of creation, and produce the Classicism that is common to all dying Cultures. The soul thinks once again, and in Romanticism looks back piteously to its childhood; then finally, weary, reluctant, cold, it loses its desire to be, and, as in Imperial Rome, wishes itself out of the overlong daylight and back in the darkness of protomysticism in the womb of the mother in the grave.

And the National Socialists believe that they can afford to ignore the world or oppose it, and build their castles-in-the-air without creating a possibly silent, but very palpable reaction from abroad.

Optimism is cowardice.

The last man of the world-city no longer wants to live--he may cling to life as an individual, but as a type, as an aggregate, no, for it is a characteristic of this collective existence that it eliminates the terror of death.

History is that form which his imagination seeks comprehension of the living existence of the world in relation to his own life, which he thereby invests with a deeper reality.