In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.

You can't be a free spirit in a place that feels like it was built on lockdown.

The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.

Reality is a projection of consciousness, so if you believe - more than just think - but believe, subliminally, that something is true, it will become true because you will make micro-decisions based on the reality that you have faith in.

I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.

What you can't teach someone is how to find the door. You can't give someone a door to another universe. You can tell them that the door exists, and if they're stuck in the hallway you can be like, "You're stuck in the hallway," but you can't open the door for them.

People have been asking me, "What advice do you have for young writers?" I tell them: a) get off social media; b) don't ask your friends what they think about your work or your ideas. You need to focus and be insane within yourself to build your sandcastle. The mind is so malleable and you need to have a steel trap around it, at least while you're working on something.