I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.

I was the first person in my family born in the United States. My mom is from Croatia, and my dad is from Iran. They met at music school in Belgium. I grew up as a pianist.

I don't like talking too much about my personal life, but it all goes into my work.

I live in East Hollywood which is sort of the end of the grit, butting up against Silverlake and Los Feliz which are the refined gentrified hipster zones, which I tend to appreciate when I need to get coffee, but I like living in the grit. I like feeling separate from that elitist civilization in some way, even though I don't really "belong" in the grit either. But I do spend more than half my time now in the desert which is really nice - to be off the grid, remembering that the world is bigger than the city streets.

The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.

My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.

I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.