Building a relationship with the character. It's just like sitting with someone you know. It's very easy to predict when they're going to shake their head or say whatever, but because I'm the author I have to make characters do what I want them to do.

If you look at the horror genre, that work is all about making people uncomfortable by stimulating our fear of death.

Think about every time you've seen someone being objectified, abused, enslaved. We see it constantly on the TV, in magazines, on the Internet. We've become numb, so we do nothing. The accumulation of passivity might make reading about that exploitation uncomfortable. And sometimes when I'm writing, I think of it like this: "People seem to like garbage, so here is what garbage smells like..."

I don't think there's anything wrong with pity. Like if you saw a dog having just been hit by a car, you would pity that dog. But then what do you do? Do you leave it there to get run over by more cars, or do you step into traffic and hold up your hand? "Stop! An animal has been hit!" and carry the thing to safety?

I hope that I'm the kind of person who would step in between somebody holding a gun at somebody else. I would like to be that stupid. I'd like to be that in love with life.

People have been asking me, "What advice do you have for young writers?" I tell them: a) get off social media; b) don't ask your friends what they think about your work or your ideas. You need to focus and be insane within yourself to build your sandcastle. The mind is so malleable and you need to have a steel trap around it, at least while you're working on something.

You know that's why people don't like unlikeable characters. It's not that they're not interesting. Everybody knows the most interesting character in a book or a movie or whatever narrative is the villain.