No one suffers so much as he [the genius] with the people, and, therefore, for the people, with whom he lives. For, in a certain sense, it is certainly only "by suffering" that a man knows. If compassion is not itself clear, abstractly conceivable or visibly symbolic knowledge, it is, at any rate, the strongest impulse for the acquisition of knowledge. It is only by suffering that the genius understands men. And the genius suffers most because he suffers with and in each and all; but he suffers most through his understanding. . . .

In those rare individual cases where women approach genius they also approach masculinity.

Fate determines many things, no matter how we struggle.

The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.

The genius which runs to madness is no longer genius.

The man of genius is he whose ego has acquired consciousness. He is enabled by it to distinguish the fact that others are different, to perceive the "ego" of other men, even when it is not pronounced enough for them to be conscious of it themselves. But it is only he who feels that every other man is also an ego, a monad, an individual centre of the universe, with specific manner of feeling and thinking and a distinct past, he alone is in a position to avoid making use of his neighbours as means to an end.

The man of genius possesses, like everything else, the complete female in himself; but woman herself is only a part of the Universe, and the part can never be the whole; femaleness can never include genius. This lack of genius on the part of woman is inevitable because woman is not a monad, and cannot reflect the Universe.