I respectfully ask that the media allow me to receive care and heal in private during this difficult time.

If someone doesn't want me, I'm not going to hang around and win them over.

Through my friend Tony Shafrazi, who's an art dealer and an artist himself - he helped to show Basquiat and Keith Haring, and has worked with the Francis Bacon estate - it was really through my friendship with Tony that I developed even more of an interest in art.

I definitely would like to do some more dramatic roles.

It's not enough just to be real; you have to try to make it interesting or entertaining.

I became sort of an aficionado on the Valentino pajamas, because I like those so much.

And James L. Brooks then sort of became our mentor, brought us out to Los Angeles and worked on the script for a year with us. We learned so much working with him - just being able to spend time with him, the quality of his mind, the things he comes up with and says. I think Wes [Anderson] and I could go to dinner tonight and spend the whole dinner thinking and talking about things that Jim has said to us over the years.