I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.

I guess that's the thing about Rome: It never changes.

The first thing I remember is Alexander Calder - our school took us on a field trip to go see the Calder mobiles, and that always stuck in my memory.

I think of Terrence Malick's movie Days of Heaven - one of Richard Gere's first movies - you can push pause on almost any image in the movie and it looks like a painting.

We didn't know what the reception was going to be when we walked out on the runway, but it felt like we were in a rock band. People started cheering. It was a nice way to begin Zoolander 2, with that kind of reception.

I think for Wes [Anderson] and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.

I became sort of an aficionado on the Valentino pajamas, because I like those so much.