Maybe that's why there's an insecurity sometimes in acting, because it's not like there's a correlation between hard work and how people receive you.

It was nice that you guys have such a good sense of humor, because some people don't have the ability to laugh at something.

And James L. Brooks then sort of became our mentor, brought us out to Los Angeles and worked on the script for a year with us. We learned so much working with him - just being able to spend time with him, the quality of his mind, the things he comes up with and says. I think Wes [Anderson] and I could go to dinner tonight and spend the whole dinner thinking and talking about things that Jim has said to us over the years.

We didn't know what the reception was going to be when we walked out on the runway, but it felt like we were in a rock band. People started cheering. It was a nice way to begin Zoolander 2, with that kind of reception.

In Rome, I loved seeing the Caravaggios. There are churches in Rome that have Caravaggios, and there's one, not far from Piazza Navona, that has the best, I think: St. Matthew with the money.

I think of myself as a doom person. I'm a worrier. But I like the idea of being an optimist. Maybe I'm the kind of optimist who deep down knows it's not going to work.

I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".