We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.

The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.

I did not initially take to the music of the Ramones, because I had never really heard of them before. Allan Arkush had given me a cassette of the Ramones and said, "You're their No. 1 fan, so I want you to know all of their songs and fall in love with these guys." I put the cassette on and I remember running around the house going, "Oh my God. That's music?"

Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.

Ive always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.

I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.

Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.