I was supposed to do The Joy Of Sex with John Belushi, but the week before we were gonna start filming, he died. So that was really tragic. That put the whole project on the shelf.

I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.

With Halloween, the director was this genius wonder boy who was the writer, director, producer, along with his girlfriend. They were this team, and they were making this small movie, and it was just completely different, but it was really inspiring and a lot of fun, and also allowed me to do a lot of improvisation, because they just depended on the girls to expand their parts to bring some real life, being girls ourselves, to the characters.

John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.

I did not initially take to the music of the Ramones, because I had never really heard of them before. Allan Arkush had given me a cassette of the Ramones and said, "You're their No. 1 fan, so I want you to know all of their songs and fall in love with these guys." I put the cassette on and I remember running around the house going, "Oh my God. That's music?"

Ive always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.

I think Harold Ramis is a genius beyond genius, and he's the nicest guy, funniest guy, sweetest guy ever. So I don't know if it applies to everybody, but maybe it has to do with your childhood.