And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy.

I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.

The road made wet by the water of August shines like it was cut in full moonlight

From scarlet to powdered gold, to blazing yellow, to the rare ashen emerald, to the orange and black velvet of your shimmering corselet, out to the tip that like an amber thorn begins you, small, superlative being, you are a miracle, and you blaze

I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.

O merry, merry, merry, like only dogs know how to be happy and nothing more, with an absolute shameless nature.

The best poet is the man who delivers our daily bread: the local baker.