This time is difficult. Wait for me. We will live it out vividly. Give me your small hand: we will rise and suffer, we will feel, we will rejoice. We are once more the pair who lived in bristling places, in harsh nests in the rock. This time is difficult. Wait for me with a basket, with a shovel, with your shoes and your clothes. Now we need each other, not only for the carnations' sake, not only to look for honey — we need our hands to wash with, to make fire.

In what language does rain fall over tormented cities?

I have named you queen. There are taller than you, taller. There are purer than you, purer. There are lovelier than you, lovelier. But you are the queen.

Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!

Don't leave me, even for an hour, because then the little drops of anguish will all run together, the smoke that roams looking for a home will drift into me, choking my lost heart.

Someone will ask later, sometimes searching for a name, his own or someone's else's why I neglected his sadness or his love... But I didn't have enough time or ink for everyone. Or maybe it was the strain of the city, of time the cold heart of the clocks.

If we were not so single-minded about keeping our lives moving and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death Perhaps the world can teach us as when everything seems dead but later proves to be alive.