Then Scale by scale, We strip off The delicacy And eat The peaceful mush Of its green heart.

And the verse falls to the soul like dew to the pasture.

Who do I belong to? How come I mortgaged my being till I don't belong to myself? How come I sold my blood? And who now owns my indecisions, my hands, my private pain, my pride?

This time is difficult. Wait for me. We will live it out vividly. Give me your small hand: we will rise and suffer, we will feel, we will rejoice. We are once more the pair who lived in bristling places, in harsh nests in the rock. This time is difficult. Wait for me with a basket, with a shovel, with your shoes and your clothes. Now we need each other, not only for the carnations' sake, not only to look for honey — we need our hands to wash with, to make fire.

There is no insurmountable solitude. All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song - but in this dance or in this song there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny.

I will bring you flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.

Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!