If it's good, it's mine. If it's bad, it's a fake.

In art intentions are not sufficient and, as we say in Spanish, love must be proved by deeds and not by reasons. What one does is what counts and not what one had the intention of doing.

The best calculation is the absence of calculation. Once you have attained a certain level of recognition, others generally figure that when you do something, it's for an intelligent reason. So it's really foolish to plot out your movements too carefully in advance. You're better off acting capriciously.

Colors, like features, follow the changes of the emotions.

There's nothing more difficult than a line.

There's nothing worse than a brilliant beginning.

I have always believed and still believe that artists who live and work with spiritual values cannot and should not remain indifferent to the conflict in which the highest values of humanity and civilization are at stake.