I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.

My fascination is not for cinema; it's for human nature and human beings because I find it quite difficult being one at times.

All you've got to do is turn up and have a few facial tics and be a lunatic and throw someone around the room or blow their brains out and people think it's good acting.

I got through with my ability to mimic others and make people laugh. I swaggered through life, but, in reality, I lived in fear pretty much every day. I acted like a completely normal person, and I suppose I was good at it. But, inside, it was a very different story.

I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.

It's such a stressful environment, I find, being an actor, being put in the chair and "Touch this, that, and the other," it's too much for me. I find it hard to tolerate that sort of stuff. If you're not enjoying it, don't do it. You're wasting everyone's time.

What's my dilemma here? Am I making entertainment or am I making art? What am I saying? At the end of the day, cinema is entertainment for millions of people, but for me it's expression.