I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.

It's such a stressful environment, I find, being an actor, being put in the chair and "Touch this, that, and the other," it's too much for me. I find it hard to tolerate that sort of stuff. If you're not enjoying it, don't do it. You're wasting everyone's time.

I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.

All you've got to do is turn up and have a few facial tics and be a lunatic and throw someone around the room or blow their brains out and people think it's good acting.

My fascination is not for cinema; it's for human nature and human beings because I find it quite difficult being one at times.

With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.

The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.