I think initially, the record industry struggled a lot with digital media because there are a lot of aspects to it that can potentially destroy our industry.

Some men think that if you're empowered and sure of yourself then you're a man-hater, but it's like, 'No, I'm just the same as you are, but maybe just a tiny bit more confident.'

I think that there should be options available, quite early on, that if someone is recognised as a disruptive child, for them to be trained vocationally. Maybe if those kids were given the option to learn how to contribute to society on a practical level they wouldn't get into trouble.

Once you accept that we're all imperfect it's the most liberating thing in the world. Then you can go around making mistakes and saying the wrong thing and tripping over on the street and all that and not feel worried.

When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment.

I get plenty of, 'Is that song about me?' from men but I just tell them to get over themselves.

I mean, my music career and my acting career - if I want to do them to the extent that I eventually do want to get to, it's going to be a bit of a balancing act. But I'm hoping they'll just go hand in hand.