Everyone else can do violence. You know, Clint Eastwood, Sylvester Stallone, they can all do shoot-'em-ups. Arnold Schwarzenegger can kill 10 people in one minute, and they don't call it "white exploitation." They win awards and get into all the magazines. But if black people do it, suddenly it's different than if a white person does it. People respond differently because people come from different places.

Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.

Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.

I'm an Air force Brat and I've lived all over the world and this country and there were people in my community who were gay - nurses, hairdressers, designers - people who just had a different way about themselves.

I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.

I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.

I love working with a lot of different films and a lot of different people.