It would have been so perfectly ironic if I had been killed by the dog, because I was petting a dog who was not used to being pet, because I think I'm some kind of dog whisperer, and I think I can make any dog love me.

There's this great Ron Carlson story, "A Note on the Type," and it's about this guy who keeps escaping from prison. He's really good at escaping, but he gets caught all the time, because he can't stop writing his name on underpasses where he's running from the law. And there's this whole beautiful paragraph about how to run is to write. And, you know, it's obviously about the writer's life.

Every day at about four o'clock, I would go up to a farmhouse - or whatever kind of house was around - and knock on the door and say, "Hi, I'm biking across Canada, and I'm wondering if I could pitch my tent on your land." And sometimes people slammed the door in my face, but the vast majority of the time they said, "Of course," and then they said, "Come for dinner," and then they packed me food the next day and fed me breakfast and sometimes they got out the bottle of wine they'd been saving for a special occasion.

in general, I feel most comfortable between known quantities.

For me, the shaping of the story is more important than accuracy.

Traveling is my priority, because it drives the writing, so I teach around the travel, and sometimes the travel is the teaching.

I'm not very interested in telling the facts. I have a lot of investment in telling the truth.