For me, the shaping of the story is more important than accuracy.

The more important question, of course, was what the new Lucy would do, and even though I was pretty sure the old Lucy wouldn't be around much anymore, I was a little bit afraid the new Lucy hadn't yet shown up.

I write well on the road. I have the energy, I have the motivation to write. I'm happy when I'm on the road.

I'm not very interested in telling the facts. I have a lot of investment in telling the truth.

I was in Mongolia, pretty extreme situations. We were sick with dysentery, we were sick with bronchitis. I had been bitten by a dog for the first time in my life and my whole hand was black, and there was no way to even think of getting a rabies shot without driving for five days, and then you wouldn't have wanted that needle in your skin anyway. And I had my period. Everything was wrong at one time. Like, I couldn't have been more uncomfortable. And I stayed up - it was too cold to sleep.

Give me a labyrinth to walk and I can usually free my mind.

I wanted her to see that the only life worth living is a life full of love; that loss is always part of the equation; that love and loss conjoined are the best opportunity we get to live fully, to be our strongest, our most compassionate, our most graceful selves.