I truly value the cinema experience, the tribal gathering in the dark to watch something larger than life. I like to sit in the first row with no heads in front of mine, and become one with the screen. I always stay for the complete credits so I can linger in the film's story just a little longer.

My advice to emerging documentary filmmakers would be: try to find other people, a group, a cooperative that you can work with. Filmmaking is hard and lonely and decidedly unglamorous. Find like-minded souls and share the joy and the misery.

Celebrate your victories and mark your defeats. Ultimately documentary filmmaking is not a job, it's a calling.

When you make a documentary film, after many years the only thing you remember is what you put into the film, not what you took out.

I'm an eclectic and avid filmgoer. I try to see everything from romantic comedies to blockbusters to art house films, world cinema and documentaries.

If you make a great film full of emotion, of pathos, people want to continue to know more, to work harder.

I truly value the cinema experience, the tribal gathering in the dark to watch something larger than life. I like to sit in the first row with no heads in front of mine, and become one with the screen. I always stay for the complete credits so I can linger in the film's story just a little longer.