I enjoy trying to figure out a way to deal with machines - they become like little buddies or something. It's almost the same way you might develop a relationship with a dog - maybe that's weird to say - but there becomes an understanding you reach after a while.

I don't listen to music throughout the day very often. I don't own a record player. I don't really have a stereo system. Most of the music I listen to these days is on the web or on MySpace pages, stuff like that.

I always dreamed of going out to space. The idea of going to a planet where nobody's ever been is attractive to me, it just suits my nature.

Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.

I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.

Doesn't every band sort of appropriate their influences into what they do? I guess that would be my defence: if you're making something, you kinda can't help being a conduit for other things.

I've had the idea since high school, of writing music just for voices, just a choir. I don't know if I'll ever get around to doing it, but I'd definitely be excited about trying to pull that off at some point. It definitely seems like an older-me kind of project.