I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.

At least for me personally, drugs aren't an essential part of having a surreal experience, or what you might call a higher experience.

I'm really into the idea of playing sit-down drums again. I don't know if it'll end up that way, but as of right now, that's what I'm interested in doing.

The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.

It's awkward, because sometimes you find new friends that are cooler than your old friends, and then your old friends desperately try to cling on to you even though you sort of hate them by now.

I enjoy trying to figure out a way to deal with machines - they become like little buddies or something. It's almost the same way you might develop a relationship with a dog - maybe that's weird to say - but there becomes an understanding you reach after a while.

I didn't grow up as a religious person under any sort of system or anything like that, I just felt like I've always been sort of intrigued by that - how it can make people's lives better - I mean, it's a powerful thing. So I was interested in thinking about that kind of stuff.