I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.

The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.

I guess that's my defence, is like - even if people think it sucks - it's not me anymore, you know.

I feel like in a conversation if things get said and then repeated, it sort of becomes inherently part of the narrative whether you want it to be or not.

I don't listen to music throughout the day very often. I don't own a record player. I don't really have a stereo system. Most of the music I listen to these days is on the web or on MySpace pages, stuff like that.

Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.

Doesn't every band sort of appropriate their influences into what they do? I guess that would be my defence: if you're making something, you kinda can't help being a conduit for other things.