Whether you are in the West, the East, the North, or the South, we should all feel pressured to attempt more, find new ways of outwitting ourselves, in our writing and thinking.

No one is obliged to take a position on the urgent issues of the day, but there are times when our impoverished public sphere could do with some occasional assertions of literary and moral authority.

Despite all the boosterish talk of globalization breaking down barriers, most writers in Anglo-America are still working within the nationalist assumptions of their traditionally powerful societies.

Most of what I read is for reviewing purposes or related to something I want to write about. It's slightly utilitarian. I definitely miss that sense of being a disinterested reader who's reading purely for the pleasure of imagining his way into emotional situations and vividly realized scenes in nineteenth-century France or late nineteenth-century Russia.

You have to be able to decide, 'Well no, I'm not going to be violent, I'm going to suppress that impulse; I'm not going to be greedy.' Unless you're able to do that you're stuck with adversarial politics that leads nowhere and creates ever greater violence.

I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.

If you think that what you're doing is not all that important in the larger scheme of things and that you're just an insignificant creature in the whole wide world, which is full of six billion people, and that people are born and die every day and it makes no difference to future generations what you write, and that writing and reading are increasingly irrelevant activities, you'd probably never get out of bed.