We have so few unaffiliated public intellectuals now - people who are not beholden to a think tank, corporate-owned media, or academic department - and even many literary writers look and behave like young urban professionals and canny careerists.

Despite all the boosterish talk of globalization breaking down barriers, most writers in Anglo-America are still working within the nationalist assumptions of their traditionally powerful societies.

I think excessive rationality can be very dangerous. Certainly the kind of rationality we've seen in the last hundred years, and still see on a daily basis when Madeleine Albright says that it's all right, we have to live with the idea of hundreds of thousands of Iraqi children dying because it contains Saddam Hussein.

Western conception of history has had great consequences over the last two hundred years. You see it in the invasion of Iraq. You see it in almost everything that is said and done.

The American writer is a very pampered figure - by foundations, by fellowships, by publishing advances. Even though I am not American, I have been pampered enough myself to know how it can make your life too frictionless.

I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.

I think the reporter or journalist is well served by having a responsibility to the powerless, to use a much-abused cliché. The voice of the powerless is in some danger of not being heard in the elite discourses we now have in the mainstream media.