The main reason I want someone to read a story of mine is so they can enjoy it and feel like they got something interesting out of it.

All life produces waste. The act of living produces costs, hazards and disposal questions, and so the (Environment) Ministry has found itself in the center of all life, mitigating, guiding and policing the detritus of the average person along with investigating the infractions of the greedy and short-sighted, the ones who wish to make quick profits and trade on others' lives for it.

No one else noticed, or cared. It was just something they did. Taking other people’s livestock. Other people’s lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didn’t matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.

The surfeit of bad trends pushes me to set my stories in worlds which are often diminished versions of our own present.

We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.

It's still a load. If there was balance, the soldier boys would all be dead, and we'd be sitting pretty in the middle of the Drowned Cities, shipping marble and steel and copper and getting paid Red Chinese for every kilo. We'd be rich and they'd be dead, if there was such a thing as the Scavenge God, or his scales. And that goes double for the Deepwater priests. They're all full of it. Nothing balances out.

They’d blame a castoff just for breathing. You could be good as gold and they’d still blame you.