At some point, you realize you can't provide a perfectly monolithic description of a foreign culture's future any more than you can provide a monolithic description of your own hometown's future. Your choices about what to emphasize and what to leave out make all the difference, and ultimately, your fingerprints and biases and viewpoints are going to be all over the story.
Paolo BacigalupiDon't tell me about worth," Nita said. "My father commands fleets." "The wealthy measure everything with the weight of their money." Tool leaned close. "Sadna once risked herself and the rest of her crew to help me escape from an oil fire... Your father commands fleets. And thousands of half-men, I am sure. But would he risk himself to save a single one?
Paolo BacigalupiNo one else noticed, or cared. It was just something they did. Taking other peopleโs livestock. Other peopleโs lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didnโt matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.
Paolo BacigalupiShort fiction seems more targeted - hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them. Long fiction feels more like atmosphere: it's a lot smokier and less defined.
Paolo BacigalupiMahlia... understood Doctor Mahfouz and his blind rush into the village. He wasn't trying to change them. He wasn't trying to save anyone. He was just trying to not be part of the sickness. Mahlia had thought he was stupid for walking straight into death, but now, as she lay against the pillar, she saw it differently. She thought she'd been surviving. She thought that she'd been fighting for herself. But all she'd done was create more killing, and in the end it had all led to this moment, where they bargained with a demon ... not for their lives, but for their souls
Paolo Bacigalupi