The point of revenge is not in the completion but in the process.

I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.

Sometimes you need these warm, human moments - something that feels close - to help things along.

I have always meticulously storyboarded my films from beginning to end.

In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.

I did have a feminist side to me, just not in such a pronounced way.

I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.