Why does a literary scholar study the world of "fiction"? To show us that the facts can never be understood except in communion with the imagination.

By surviving passages of doubt and depression on the vocational journey, I have become clear about at least one thing: self-care is never a selfish act -- it is simply good stewardship of the only gift I have, the gift I was put on earth to offer to others. Anytime we can listen to true self and give it the care it requires, we do so not only for ourselves but for the many others whose lives we touch.

As I teach, I project the condition of my soul onto my students, my subject, and our way of being together.

I want to learn how to hold the paradoxical poles of my identity together, to embrace the profoundly opposite truths that my sense of self is deeply dependent on others dancing with me and that I still have a sense of self when no one wants to dance.

Why does a literary scholar study the world of "fiction"? To show us that the facts can never be understood except in communion with the imagination.

Everybody is on a lifelong journey toward trying to live more deeply. There is nobody who can say, "Well, I've got that one checked off my to-do list." We have to be honest with ourselves about where we are on this journey and about the difficulty of living in our own identities and integrity.

I'm 67 years old now. I've had a lot of good teachers over the years; and they have been very, very different from one another. They all had passion for what they were doing, but their styles were unique to them as individuals.