As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.

I don't know what's going on with new media and digital stuff. It's all changing.

I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.

I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.

I liked being able to portray a woman at this particular age and at this point in her life.

I ran to Rachel [Comey]'s show and on the way I found a potted tree - an umbrella tree - on the street. I always think things are going to be way more intimate than they are and there aren't going to be a lot of people around. I don't know why I think this. I'm always shocked at what a hoopla things are. They were like, 'Hurry up.' So I put the tree down and I see Rachel and she's like, 'Hurry up, sit down.'

I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.