AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?

Our lives are rivers, gliding free to that unfathomed, boundless sea, the silent grave!

'De nada,' replied Gregorius. The Portuguese couple sat down, the train went on. Gregorius was never to forget this scene. They were his first Portuguese words in the real world and they worked. That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it extraordinary and it had never stopped impressing him.

Sometimes, we are afraid of something because we're afraid of something else.

[Vanity] is an unrecognised form of stupidity, you have to forget the cosmic meaninglessness of all our acts to be able to be vain and that's a glaring form of stupidity.

Isn't it true that it's not people who meet, but rather the shadows cast by their imaginations?

I am still there, at that distant place in time, I never left it, but live expanded in the past, or out of it.