I play ten, twelve weeks out of the year, five times a week, and I really still love to do it. But that's not what I'm interested in doing now. Even though I love it.

You don't want to trash what you've done; that's your history.

When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.

I can't stand what people do to each other. I think we're brilliant as a species. I think we are amazing. I think that God is incredible, that He just gave us everything. Everything in our face. Everything for us to use. And sometimes we're such shitheads. And it makes me crazy.

People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.

I play ten, twelve weeks out of the year, five times a week, and I really still love to do it. But that's not what I'm interested in doing now. Even though I love it.

I spent most of my adult life as someone's mother and the rest of my life trying to make sure that children are safe. So this to me is - we wrote Hell Is For Children in 1979.