It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.

When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.

I love "Heartbreaker." "Heartbreaker" stands up for me still. It still works to me. The sentiment is still timely and it just works. But I don't want to do that again. I'm not interested in re-creating that. That was great and I'll just leave it there.

I wasn't interested in fabricating things and altering what I did to make hit records.

People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.

Love is more than a one way reflection, stop using sex as a weapon.

I spent most of my adult life as someone's mother and the rest of my life trying to make sure that children are safe. So this to me is - we wrote Hell Is For Children in 1979.