If jazz has to be termed as a wave, then music is a sea, but if the reflectors in the water is the chord.

I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.

Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.

The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.

Somehow trumpet is the reference point for me it was actually my first instrument.

Listening is the key to everything good in music.

Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.