My movies are, more or less, very short. I'm terrified of boring an audience.
I can zero in on subtle things because I'm holding the camera.
Love stories that are too simple don't deserve to have films made about them.
Sometimes it only takes three words, so long as they're the right words, to direct an actor in the right way.
I think the best thing I learned from drawing comics is that it's a great exercise in concision.
But I won't work with the exact same crew film after film because I feel the work would get a little complacent.