At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.

But I have had the luxury of working on good films with great people.

Why are comedic parts for women the exception, not the rule?

In 8th grade I started doing theatre and I remember it was as though I had taken a trip to a foreign land that I had never seen before yet felt completely at home. I remember feeling a genuine wave of happiness and of feeling complete.

That's the hardest part of acting: when it is ultra-personal, when it is deeply personal, and there's no lying involved. You can't fake it, you can't get by it. This is dealing with the most primal instincts and emotions that a mother can have.

I'll read a script maybe twice, but I'll think about the role more than I'll rehearse lines.

I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.