Even though I'm a free spirit, I like to keep my friends and my lovers separate. I have extraordinary friends, but I don't want to see them naked.

I think it would be hard to go the distance in this business without a sense of humor.

The majority of work I do is in independent films, where you're lucky if you have five takes.

At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.

I don't like a lot of rehearsing.

I try to take off the rose-colored glasses and view it in all facets, but I probably would be lying if I didn't say that probably the way in for a film with me is the performance. But I have been on juries where you have to give Best Screenplay, Best Cinematography. So you do have to put on several different hats and I try to broaden my scope. And what's great is, when you're in a room full of people who are not your milieu, so to speak, you find yourself speaking in a way that you do discover a slightly discerning eye.

That's the hardest part of acting: when it is ultra-personal, when it is deeply personal, and there's no lying involved. You can't fake it, you can't get by it. This is dealing with the most primal instincts and emotions that a mother can have.