When you hit the things that are relevant to the next generation, - it's a way for young people to feel like "Somebody understands me. Church is not irrelevant. I feel that my hurts are being addressed. Things that I am concerned about are being talked about."

If I could look back at the seeds of faith, they were planted back then. I remember in my early teenage years - when, naturally, we become more rebellious, prideful, self-directed and self-willed - I had this nun, Sister Mary Martinella, I'll never forget her - only because of one thing that she said that stuck in my spirit. And it was a rebuke.

Actors are always the pawns. They're the last ones in the food chain.

The experience I had all those 40 years of working on Broadway and working on television, I bring it to students and I let them kind of drain me dry but they all feel at the end of the class that they are getting so much out of it. The students grow in my classroom because they feel safe. They don't feel like they're going to be yelled at.

As I got older, the role that I ended up (playing) on One Life to Live was a mother because, by then, I had a stable marriage - so I thought - and a beautiful son and mother roles became what I was doing well. I was still the Latina mom who very much related to people who love family. All those traditional values (were) coming back into my life.

We realized that there's a great need in many churches to use the power of the media...There are a lot of different ways to preach. You can preach by praising. You can preach by preaching sermons. You can preach by just giving someone food when they're hungry. There are people who will never darken a church door but they will come to see a play.

I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.