When you hit the things that are relevant to the next generation, - it's a way for young people to feel like "Somebody understands me. Church is not irrelevant. I feel that my hurts are being addressed. Things that I am concerned about are being talked about."

I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ.

When my marriage fell apart I started reevaluating my life and I started to call on the Lord.

I had a very marginal understanding of what faith in God was growing up because, although I went to a Catholic school, without having parents who really were actively involved in faith there was no reinforcement of it. So, as a result of that I guess I just kind of thought that God was somebody that you put in a box and you put Him on a shelf and you called on him when you had crises.

You get typecast. You have to find a niche in this business. So, the roles that I got cast in were the Latina or the Italian spitfires. The woman with a passion and the woman who didn't want to listen to anyone, did everything her own way, very self-willed.

I started my career off replacing Rita Moreno in a Broadway show.

As I got older, the role that I ended up (playing) on One Life to Live was a mother because, by then, I had a stable marriage - so I thought - and a beautiful son and mother roles became what I was doing well. I was still the Latina mom who very much related to people who love family. All those traditional values (were) coming back into my life.