God sent me a woman who was an older woman - who wasn't much older than me but she was older in the sense (of her relationship with) the Lord...She started guiding me. She was very much a model for my life.

Actors are always the pawns. They're the last ones in the food chain.

The experience I had all those 40 years of working on Broadway and working on television, I bring it to students and I let them kind of drain me dry but they all feel at the end of the class that they are getting so much out of it. The students grow in my classroom because they feel safe. They don't feel like they're going to be yelled at.

I was doing big roles and, yeah, everything was going great. In the midst of all that, I guess I had already become common in the sense that I became formed into what the world wanted me to be. My desires and my goals were (identified) by the world - the things that would make me (successful) in the sight of the world and would give me a status that I thought was security.

As I got older, the role that I ended up (playing) on One Life to Live was a mother because, by then, I had a stable marriage - so I thought - and a beautiful son and mother roles became what I was doing well. I was still the Latina mom who very much related to people who love family. All those traditional values (were) coming back into my life.

You get typecast. You have to find a niche in this business. So, the roles that I got cast in were the Latina or the Italian spitfires. The woman with a passion and the woman who didn't want to listen to anyone, did everything her own way, very self-willed.

I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.