Most of the work I make uses materials that are a bit outside of the traditional fine art world.

Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.

How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

I pretty much keep everything; we have drawers full of samples and tests and every old catalogue and magazine.

I have a database of all my works that I maintain to keep track of works and editions.