Most of the work I make uses materials that are a bit outside of the traditional fine art world.

The silicone we use is the hardest, most UV stable we can get, and we have done enormous amounts of testing and research to get a paint solution that is extremely hardy and repairable.

As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.

The studio keeps notes on the details of editions and production processes and the like.

Now that other people have my works, it's really important to me that what they have has longevity.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

I would say my work is anti-ironic.