Most of the work I make uses materials that are a bit outside of the traditional fine art world.

I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.

We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.

It's interesting to work with what's important today, which is meaningful for our everyday lives.

The studio keeps notes on the details of editions and production processes and the like.

As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.

In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.