During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.

I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.

I heard police or ambulancemen, standing in our house, say, 'She must have provoked him,' or, 'Mrs Stewart, it takes two to make a fight.' They had no idea. The truth is my mother did nothing to deserve the violence she endured. She did not provoke my father, and even if she had, violence is an unacceptable way of dealing with conflict. Violence is a choice a man makes and he alone is responsible for it.

An obsession might be a little strong a term, but it has now become one of the most significant aspects of my life, but most importantly of my career, because it has changed the public's perception of who Patrick Stewart is.

Having spent so much of my life with Shakespeare’s world, passions and ideas in my head and in my mouth, he feels like a friend—someone who just went out of the room to get another bottle of wine.

If someone says 'Give me one word of advice,' I say 'be fearless.' And knowing without any shadow of a doubt that what they have to give - who they are - is totally unique and not shared by anybody else. And to believe in that uniqueness. It took me decades before I developed courage as an actor.

Violence against women is learned. Each of us must examine - and change - the way in which our own behavior might contribute to, enable, ignore or excuse all such forms of violence. I promise to do so, and to invite other me and allies to do the same.