I was just excited by the whole prospect of working in a television series in Hollywood. I had never anticipated that as an actor I would ever end up here. It may be some sort of fantasy I'd thought about from time to time, but it was completely unrealistic.

It is what you do from now on that will either move our civilization forward a few tiny steps, or else... begin to march us steadily backward.

And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.

It still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.

I heard police or ambulancemen, standing in our house, say, 'She must have provoked him,' or, 'Mrs Stewart, it takes two to make a fight.' They had no idea. The truth is my mother did nothing to deserve the violence she endured. She did not provoke my father, and even if she had, violence is an unacceptable way of dealing with conflict. Violence is a choice a man makes and he alone is responsible for it.

Violence is never ever a choice that a man should make.

I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.