We wanted to wait until the music felt right. We didn't want to do it, just to do it. We didn't want to do it for money, I guess, is the thing that would have just bummed me out so much.

We got nominated for a Grammy, that was really crazy, and I was sitting there and Stevie Wonder was on stage and I remember thinking "Wow, I really need to take [singing] more seriously!"

I used to work in a record store. I'm kind of a record nerd.

Theres no amount of money that makes you feel better when people think of you as a joke or a hack or a failure or ugly or stupid or morally empty.

You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.

Advice? Focus on the craft. Study the greats. Try and understand how and why they made the writing choices they did. Then, start by copying them...just as an exercise. See if you can do similar things. Learn how to write a song like so and so. Then, when you've done that, write a song like yourself. Learn to color within the lines before going outside them.

Probably the most cold-hearted thing I ever did. There was this spider in my shower - and I'm usually very kind to all of the creatures of the world - and you feel very vulnerable when you're naked, and I didn't really want to be near this spider he was kinda big and gnarly looking. The only thing that I could reach in the shower was this hairspray. So I hairspray-ed this spider to death, which was awful. I felt like such a jerk. It was really, really harsh.