When you go away for a month on tour, there's only so much information you can take in. You're traveling city by city every day. I think five of the 30 days you actually keep with you and the rest becomes mush. And when you get back you're really mushy.

My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.

I just remember music always being a part of my life. I was never like, "I'm gonna be a rock star," or "I'm gonna be in a band." It was more "I just play piano, and I'm always going to play piano. That's who I am and that's cool." I think music became so ingrained in me that it was not even my choice.

When you go away for a month on tour, there's only so much information you can take in. You're traveling city by city every day. I think five of the 30 days you actually keep with you and the rest becomes mush. And when you get back you're really mushy.

Everybody always wants to meet musicians. You can go to any random bar around the world and be like, "I'm a musician," and they'll have something to say to you. It's kind of this weird passport where you can go around and as soon as you say you're a musician, you're welcome.

It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.

Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.